Samples Modeling The Saxophones 1.1.1 VSTi x86/x64
Samples Modeling The Saxophones 1.1.1 VSTi x86/x64
Samples Modeling The Saxophones 1.1.1 - коллекция саксофонов на SWAM Engine.

Samples Modeling The Saxophones 1.1.1 используют сэмплы в качестве основного материала, хроматически выполненного профессиональным игроком по очень широкому динамическому диапазону, и записан по современной технологии. Получившийся тембр - тембр реального инструмента. Основная составляющая особенность технологии позволяет непрерывную интерполяцию среди различных векторов, таких как время, динамика, подача и formants. Реалистичное легато / портаменто, вибрато, overblow, ornamentations и трели с непрерывностью фазы, постоянным-formant pitchbends, подгармоника, growl и flutter tongue, которые звучат в режиме реального времени.
The Saxophones utilizes Samplemodeling’s proprietary SWAM Engine (Synchronous Wavelength Acoustic Modeling) developed by Stefano Lucato.
The Saxophones use samples as a base material, chromatically performed by a professional player over a very wide dynamic range, and recorded with state-of-the-art technology. The resulting timbre is therefore that of the real instrument. But the analogy with a sample based library ends here. The underlying, proprietary technology allows continuous interpolation among different vectors like time, dynamics, pitch and formants. Advanced real time processing techniques yield realistic legato/portamento, vibrato, overblow, ornamentations & trills with phase continuity, constant-formant pitchbends, subharmonics, growl and flutter tongue to be performed in real time.
The Saxophones are supplied as a bundle of plug-ins for 32- and 64-bit Windows and Mac OS X in AU and VST formats for 259 EUR. Owners of any Sample Modeling saxophone library, purchased before January 21st, 2013, can purchase the new SWAM-based Saxophones package for 149 EUR before March 31st, 2013. Prices ex. VAT, if applicable.

Background philosophy
Stefano's idea is to create realistic musical instruments. The timbral properties should be indistinguishable from real saxophones. They must be played as real instruments, using a keyboard or a wind controller, plus three or four midi controllers, including an expression pedal or breath controller. All articulations are easily shaped by the player, even in real time, using just velocity, pitchwheel, modwheel, an expression pedal or breath controller, a sustain pedal, plus some optional CCs to control overblow, subharmonics, growl and flutter tongue. Virtually any wind controller can be used to play these instruments.

The controllers (CCs)

Real time control of most parameters can be accomplished via midi. The Saxophones exploit several MIDI controllers for optimal performance. The basic controllers are the Pitchwheel, CC11 (or CC7, or CC2) for the dynamics, CC1 (modwheel) for vibrato intensity, CC19 for vibrato rate. Portamento time can be assigned either to the velocity of the overlapped note or to any CC. Special effects are key noise (CC9), Subharmonic intensity (CC20), Growl (CC21), Flutter Tongue (CC23) and Overblow (CC64). Channel aftertouch (CC129) can be used to control several parameters, such as vibrato intensity or rate, subharmonic, growl or flutter intensity.

The graphical interface (GUI)
Here you can modify the default settings for several parameters. You may vary timbre, harmonic structure and formants, choose type of attack, set the intensity of set the intensity of subharmonic, growl, flutter tongue, key noise, and breath noise. You may control random pitch and dynamics fluctuations, pitch response to dynamic changes, overall resonance of the pipe, subharmonic intensity on transitions, release and portamento time. You may also set transposition, master tune, pitchbend response, volume, pan, dynamic compression, intensity and decay of the built-in reverb. A downward fall can be triggered by pressing a button, as well as from a keyswitch or a MIDI controller.

Options page
Here you will find more advanced settings, allowing control of the transition between attack & sustain, shape of portamento, vibrato rate and random fluctuations, type of overblow, linear or log response to the expression controller, etc. A MIDI remapper page is also available, allowing remapping of many control parameters to any MIDI CC.

This is an entirely new feature, coping with the requirements of musicians using non-tempered scales, so essential in, for example, Middle Eastern and Asian music. Our approach to microtuning yields maximal flexibility, allowing user-defined scales, where the extent of detuning (range +60/-60 cents can be precisely set for each note by means of a series of sliders.
In addition, selective detuning can be applied to individual notes in real time, using keyswitches activated by the sustain pedal or other controller. The currently detuned notes are now displayed in the GUI, as in the example on the right.

Сайт производителя:

Год выпуска: 04. 2013
Версия: 1.1.1
Разработчик: Sample Modeling
Платформа: Windows
Язык интерфейса: английский
Лекарство в комплекте(R2R)
Размер архива: 489 Мб.

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